Table of Contents

“Look then to be Well Edified”: Mental, Textual, and Architectural (Re)construction in the Renaissance

Muriel Cunin

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Fig. 1: Pieter Bruegel, the Elder. Fortitudo. Engraving presumably by Philippe Galle. 1559-60. British Museum, London.
Fig. 2: Monument of the fifth Earl of Rutland. 1612. St Mary the Virgin, Bottersford, Leicestershire. Elizabethan and Jacobean Style. By Timothy Mow. London: Phaidon, 1993.
Fig. 3: Stanley Monument. After 1603. St Bartholomew, Tong, Shropshire. Drawing by Francis Sandford. English Church Monuments. By Katherine Esdaile. London: B.T. Batsford, 1946.
Fig. 4: Geffrey Whitney. "Scripta manent." 1586. Woodcut. A Choice of Emblems. Facsimile. Aldershot: Scolar Press, 1989. 131.
Fig. 5: George Puttenham. A Column-shaped poem. 1589. The Art of English Poesie. Facsimile. Menston: Scolar Press, 1968. 80.
Fig. 6: Stephen Harrison. "Noeva foelix Arabia." 1604. Engraving. STC 19699.
Fig. 7: Sir Walter Raleigh. The History of the World. 1614. Title-page. The Comely Frontispiece: The Emblematic Title-page in England, 1550-1660. By M. Corbett and R.W. Lightbown. London: Routledge and Kegan Paul, 1979.
Fig. 8: Ben Jonson. Workes. 1616. Title-page. The Comely Frontispiece: The Emblematic Title-page in England, 1550-1660. By M. Corbett and R.W. Lightbown. London: Routledge and Kegan Paul, 1979.