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Elaine Scarry
Among School Children: The Use of Body Damage to Express Physical Pain
Click on the image to see a larger view.
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Figure 1 (reference p. 11) - P.P. Rubens, Prometheus Bound, Philadelphia Museum of Art |
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Figure 2 (reference p. 12) - Paccecco de Rosa, Massacre of the Innocents, Philadelphia Museum of Art |
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Figure 3 (reference p. 17) - Francis Bacon, Three Studies for Figures at the Base of a Crucifixion, Tate Gallery, London |
| Figure 4 (reference p. 19) - Edvard Munch, The Sick Girl, lithograph, Fogg Art Museum | |
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Figure 5 (reference p. 20) - Edvard Munch, The Sick Girl, lithograph, Fogg Art Museum |
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Figure 6 (reference p. 20) - Edvard Munch, The Sick Child, painting, Goteborgs Museum |
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Figure 7 (reference p. 23) - Käthe Kollwitz, O Nation, You Bleed from Many Wounds, Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn |
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Figure 8 (reference p. 24) - Käthe Kollwitz, The Downtrodden, Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn |
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Figure 9 (reference p. 24) - detail from Käthe Kollwitz, The Downtrodden, Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn |
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Figure 10 (reference p. 24) - Käthe Kollwitz's Unfinished Work (reproduced from book Die Kollwitz Sammlung) |
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Figure 11 (reference p. 24) - Andrea Mantega, The Lamentation Over the Dead Christ, c. 1490 Milan, Brera Gallery |
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Figure 12 (reference p. 25) - Aubrey Beardsley, Girl, Wounded Tree, and a Book Shop, Poster for T. Fisher Unwin books, Pseudonym and Autonym LIbrary |
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Figure 13 (reference p. 26) - Aubrey Beardsley, cover and spine of Morte d'Arthur (reproduced in David Colvin, Aubrey Beardsley: A Slave to Beauty, New York: Welcome Raine, p. 54) |
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Figure 14 (reference p. 26) - Aubrey Beardsley letter with cover design for Balzac's Père Goriot (from Mass, Duncan, Good, The Letters of Aubrey Beardsley, p. 275) |
