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Zoe Trodd
The Body in the Garden:
Death, Inevitability and the Trace
in Literary and Photographic Representations of the American Civil War
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Figure 1 (reference p. 141) - Alexander Gardner, “Field where General Reynolds Fell, Gettysburg,” Sketchbook plate 37 |
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Figure 2 (reference p. 143) - George Barnard, “The Potter House Atlanta,” Photographic Views plate 38 |
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Figure 3 (reference p. 143) - Barnard, “Rebel Works in Front of Atlanta, No. 3,” Photographic Views plate 41 |
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Figure 4 (reference p. 143) - Barnard, "The Capitol Nashville, Tenn.,” Photographic Views plate 2 |
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Figure 5 (reference p. 143) - Barnard, “Nashville from the Capitol,” Photographic Views plate 3 |
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Figure 6 (reference p. 144) - Barnard, “The New Capitol Columbia, S. C.,” Photographic Views plate 52 |
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Figure 7 (reference p. 144) - Barnard, “Columbia from the Capitol,” Photographic Views plate 53 |
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Figure 8 (reference p. 144) - Barnard, “Ruins in Charleston S.C.,” Photographic Views plate 60 |
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Figure 9 (reference p. 144) - Gardner, ”Marshall House, Alexandria, Virginia,” Sketchbook plate 1 |
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Figure 10 (reference p. 145) - Gardner, “A Harvest of Death, Gettysburg, Pennsylvania,” Sketchbook plate 36 |