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Murdo Macdonald
Art and the Scottish Highlands: An Ossianic Perspective
Click on the image or the figure number to see a larger view.
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Figure 1 (reference p. 77) Alexander Runciman, Head of Ossian, frontispiece for The Poems of Ossian in the Original Gaelic, London, 1807. |
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Figure 2 (reference p. 76) Gavin Hamilton, Achilles Mourning the Death of Patroclus, ca. 1760. Courtesy of the National Galleries of Scotland. |
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Figure 4b (reference p. 76) Alexander Runciman, Ossian Singing, painted sketch, ca.1772, Courtesy of the National Galleries of Scotland. |
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Figure 5 (reference p. 78) Jean Auguste Dominique Ingres, Dream of Ossian, engraving after, ca.1813, Courtesy of the National Galleries of Scotland. |
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Figure 6 (reference p. 79) John Massey Wright, A Scottish Bard, ca.1850, Private Collection. |
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Figure 7 (reference p. 79) David Octavius Hill, Scene on the Lugar, engraved on steel by J. Giles, 1840, Private Collection. |
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Figure 8 (reference p. 81) Alexander Nasmyth, Foyers. Upper Fall, 1805, Private Collection. |
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Figure 9 (reference p. 82) J.M.W. Turner, Loch Coriskin, ca. 1830, Private Collection. |
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Figure 10 (reference p. 83) David Octavius Hill, The Falls of Bruar, 1840, Private Collection. |
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Figure 11 (reference p. 83) David Octavius Hill, The Poet’s Dream, 1840, Private Collection. |
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Figure 12 (reference p. 84) Horatio McCulloch, My Heart’s in the Highlands, 1861, Private Collection. |
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Figure 13 (reference p. 86) Clach Ossian (Ossian’s grave), n.d., Private Collection. |
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Figure 14 (reference p. 87) John Greig, The Birks of Aberfeldy, 1805, Private Collection. |