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Michel Baridon
The Emergence of the Landscape and the Expression of Intimacy
Click on the image or the figure number to see a larger view
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Figure 35 (reference p. 127, 131) Ambrogio Lorenzetti. Good Government, 1348. Detail: The Sienese Campagna, Palazzo Publicco, Council Chamber, East wall. Museo civico, Siena. Photo R. Testi |
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Figure 36 (reference p. 127) Ambrogio Lorenzetti. Good Government, 1348. Detail: The City of Siena, Palazzo Publicco, Council Chamber, East wall. Museo civico, Siena. Photo R. Testi |
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Figure 37 (reference p. 131) Jan van Eyck. The Baptism of Christ, The Turin Book of Hours. Fol. 94 recto, bas-de-page, ca. 1420. Fondazione Torino Musei |
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Figure 38 (reference p. 133, 134) Jan van Eyck. Altarpiece of the Holy Lamb. 1432. Oil on panel, 375 x 520 cm. St Bavo, Ghent, (opened) Adoration of the Holy Lamb. Lower register, central panel. Lukas image bank, Ghent |
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Figure 39 (reference p. 133, 134) Jan Van Eyck. Altarpiece of the Holy Lamb. 1432. Oil on panel, 375 x 520 cm. St. Bavo, Ghent, (closed) Back panels, top register, 2nd from left, view of a street from the inside of a house, and 3rd from left, view of a room with a wash basin and a towel. Lukas image bank, Ghent |
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Figure 40 (reference p. 134) Jan van Eyck. The Virgin and child with Chancellor Rolin, ca. 1435. Oil on panel, 66 x 62 cm. Musée du Louvre, Paris |
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Figure 41 (reference p. 135) Jan van Eyck. The Virgin and child with Chancellor Rolin, ca. 1435. Oil on panel, 66 x 62 cm. Musée du Louvre, Paris (detail) |