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Michael McKeon
Literary and Graphic Images of Intimacy in Seventeenth and Eighteenth-Century England
Click on the image or the figure number to see a larger view
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Figure 25 (reference p. 96) Vincenzo Campi. Christ in the House of Martha and Mary Magdalene. c. 1550-1600. Oil on canvas. Galleria Estense, Modena, Italy. Alinari/ Art Resource, New York |
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Figure 26 (reference p. 103) George Morland. The Fruits of Early Industry and Economy. 1789. Oil on canvas. Philadelphia Museum of Art / Art Resource, New York |
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Figure 27 (reference p. 105) Anon., The Devonshire Amusement. 1784. Lewis Walpole Library, Yale University |
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Figure 28 (reference p. 107) Joseph Highmore. Pamela Fainting. 1743-44. Oil on canvas. National Gallery of Victoria, Melbourne. Felton Bequest, 1921 |
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Figure 29 (reference p. 107) Joseph Highmore. Pamela in the Bedroom with Mrs. Jewkes and Mr. B. 1743-44. Oil on canvas. Tate Gallery, London / Art Resource, New York |
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Figure 30 (reference p. 112) Pierre-Antoine Baudoin. La Lecture. c. 1760. Gouache on paper. Musée des Arts décoratifs, Paris |