Maurice GÉRACHT Presentation: ‘It’s the very string in the carpet’.  
Rosa SAVERINO Performances of Self: Becoming the family album in Rafael Goldchain’s I Am My Family. Images
Alessandro NIGRO Surrealist (Self) Portraits: André Breton’s “Le verre d’eau dans la tempête” and “La nourrice des étoiles.
Clio Elizabeth MEURER René Magritte : Les Proses de Distances (1928).  
Julia FRIEDMAN Alexei Remizov’s Creative Act. Images
Charlotte GOULD Tracey Emin: A Leaf Out of her Own Book.  
Fiona McMAHON Aesthetic Primitivisms: Marsden Hartley and “The Return of the Native.” Images
Sophie AYMES “Across the lens of the eye” Interaction between word and image in Mervyn Peake’s work. Images
Armelle SABATIER “The Paragone Debate in George Chapman’s The Conspiracy and Tragedy of Charles Duke of Byron, 1608.”  
Nausicaa DEWEZ La lecture de l’Énéide, par Ingres de la représentation picturale de la lecture à haute voix.  
Véronique LIARD Le texte et l’image chez Friedrich Dürrenmatt : l’exprimable et l’indicible du mythe. Images
Maxime LEROY “With Illustrations by the Author”: the novels of Samuel Lover.  
Richard M. BERRONG Mâtho and Masculinity: Illustrating Gender Ambiguity in Relationship to One’s Time
Images
Mary O’NEILL-DEBRABANT “No pen or pencil can describe …”: the challenge of representation in Thackeray’s Irish Sketchbook.  
Cecilia Hornedo MARIN Du « peuple » aux « masses » : l’esthétisation de la politique chez les peintres muralistes mexicains. Images
Christelle SEREE-CHAUSSINAND “Bring out artists; take music, or the calm light of Dutch interior art …”: Derek Mahon’s pictorial poems. Images
Sylvie CRINQUAND “If Mine Had Been the Painter’s Hand”: when Wordsworth and Keats Re/un-write Painting. Images
David A. POWELL Word and Image in Balzac’s Le Chef-d’oeuvre inconnu.  

© 2010 Educational Technology, College of the Holy Cross
CD Designer and Editor: Mary Morrisard-Larkin
with the assistance of Rebecca Moran HC '12