Research Bibliography

• Armes, Roy. Third World Film Making and the West. Berkeley: University of California Press, 1987. Pp. 35-49, 55-100, 163-187 ACLS Humanities E-Book
• Bender, Steven W. "Gringos in the Latina/o Imagination."Greasers and Gringos: Latinos, Law, and the American Imagination. New York and London: New York University Press, 2003. Pp. 154-161 E-Book
• Berg, Charles Ramírez. Cinema of Solitude: A Critical Study of Mexican Film, 1967-1983. [Texas film studies series]. Austin: University of Texas Press, 1992. Pp. 12-28
• Burns, E. Bradford. Latin American Cinema: Film and History. Los Angeles: UCLA Latin American Center, University of California, 1975. Pp. 93-111
• Burton, Julianne.Cinema and Social Change in Latin America: Conversations with Filmmakers. Austin: University of Texas Press, 1986. Pp. 35-68
• -----. The Social Documentary in Latin America. Pitt Latin American series. Pittsburgh: University of Pittsburgh Press, 1990. Pp. 267-287
• Chanan, Michael. Cinema of the Humble, part 1 of New cinema of Latin America, 1983, Channel 4 (United Kingdom)
• -----. "New Cinemas in Latin America." The Oxford Guide to Film Studies. Eds. John Hill and Pamela Church Gibson. Oxford: Oxford University Press, 1996. Pp. 740-749
• Ching, Erik, and Christina Buckley, Angélica Lozano-Alonso. Reframing Latin America: A Cultural Theory Reading of the Nineteenth and Twentieth Centuries. Austin: Texas University Press, 2007. Pp. 147-167, 201-227. E-Book
• Cook, Pam. "Classic Hollywood Cinema." In The Cinema Book. London: BFI Pub., 1986. Pp. 212-220
• -----, and Mieke Bernink. The Cinema Book. London: BFI Pub, 1999. Pp. 39-44, 353-365 Online
• Donald, James, and Michael Renov. The SAGE Handbook of Film Studies. Los Angeles [i.e. Thousand Oaks, Calif.]: SAGE Publications, 2008. Pp. 287-31
• García Canclini, Nestor. "Will There Be Latin American Cinema in the Year 2000? Visual Culture in a Postnational Era." in Framing Latin American Cinema: Contemporary Critical Perspectives, ed. Ann Marie Stock. Minneapolis: University of Minnesota Press, 1997. Pp. 246-258
• Goldsmith, David A. The Documentary Makers: Interviews with 15 of the Best in the Business. Crans-Prés-Céligny: RotoVision, 2003. Pp. 54-63
• Haddu, Miriam. Contemporary Mexican Cinema, 1989-1999: History, Space, and Identity. Lewiston: E. Mellen Press, 2007. 149-180
• Hart, Stephen M. A Companion to Latin American Film. Rochester, NY: Tamesis, 2004. Pp. 69-82
• -----. "Mama Coca and the Revolution: Jorge Sanjinés's Double-Take." In Contemporary Latin American Cultural Studies. Eds. Stephen M. Hart and Richard Young. London: Arnold, 2003. Pp. 290-299
• -----, and Richard Young. Contemporary Latin American Cultural Studies. London: Arnold, 2003. Pp. 290-299
• Hershfield, Joanne.. Latin American communication and popular culture. Tucson: University of Arizona Press, 1996. Pp. 47-75, 107-131
• ----, and David Maciel. Mexico's Cinema A Century of Film and Filmmakers. Latin American silhouettes. Wilmington, Del: Scholarly Resources, 1999. Pp. 81-100 E-Books
• Hill, John, and Pamela Church Gibson. The Oxford Guide to Film Studies. Oxford: Oxford University Press, 1998. Pp. 272-282, 371-381
• Kaminsky, Amy. "Identity at the Border: Narrative Strategies in Maria Novaro's El jardin de Eden and John Sayles's Lone Star," Studies in Twentieth Century Literature 25, 1 (2001): 91-117
• King, John, Ana M. López, and Manuel Alvarado. Mediating Two Worlds: Cinematic Encounters in the Americas. London: BFI, 1993. Pp. 95-103, 139-163
• -----, Sheila Whitaker, and Rosa Bosch. An Argentine Passion: María Luisa Bemberg and Her Films. Critical studies in Latin American and Iberian cultures. London: Verso, 2000. Pp. 122-136
• Leen, Catherine. "Three Border Films: El Mariachi, El Jardin del Eden and Lone Star,” Cultura Popular: Studies in Spanish and Latin American Popular Culture 2002: 97-112
• Levitin, Jacqueline, Judith Plessis, and Valerie Raoul. Women Filmmakers: Refocusing. New York: Routledge, 2003. Pp. 15-28
• Lippard, Chris. "National, Cultural, and Linguistic (In)Securities: Perceptions of the United States in Some Bolivian Films."E Pluribus Unum?: National and Transnational Identities in the Americas. Ed. Sebastian Thies and Josef Raab. 2005. Pp. 193-204
• López, Ana M. “Tears and Desire: Women and Melodrama in the ‘Old’ Mexican Cinema,” in Mediating Two Worlds: Cinematic Encounters in the Americas. Eds. John King, Ana M. López, and Manuel Alvarado.London: BFI, 1993. Pp. 147-163
• -----. "An 'Other' History: The New Latin American Cinema," in Resisting Images: Essays on Cinema and History. Eds. Robert Sklar and Charles Musser. Critical perspectives on the past. Philadelphia: Temple University Press, 1990. Pp. 308-330
• Miller, Toby, and Robert Stam. Film and Theory: An Anthology. Malden, Mass. [u.a.]: Blackwell, 2007. P. 265-286, 298-316
• Mora, Carl J. Mexican Cinema: Reflections of a Society, 1896-2004. Jefferson, N.C.: McFarland & Co, 2005. Pp. 187-250
• Morris, Stephen D. Gringolandia: Mexican Identity and Perceptions of the United States. Latin American silhouettes. Lanham, MD: Rowman & Littlefield, 2005. Pp. 1-38, 189-214
• NACLA Report on the Americas. "Chile: Thirty Years Later," NACLA 37, 1 (2003): 8
• Noble, Andrea. "'Yéndose por la tangente': The Border in María Novaro's El jardín del Edén." Journal of Iberian and Latin American Studies 7, 2 (2001): 191-202
• Paranaguá, Paulo Antonio. Mexican Cinema. London: British Film Institute, 1995. Pp. 179-201
• -----. "María Félix: Image, Myth, and Enigma," Studies in Latin American Popular Culture 17 (1998): 51-60. E-Journal
• Paxman, Andrew. Review of Gringolandia. The Americas 64, 3 (2008): 470-471
• Pramaggiore, Maria, and Tom Wallis. Film: A Critical Introduction. Boston: Pearson/Allyn and Bacon, 2008. Pp. 279-293, 311-330
• Rashkin, Elissa. Women Filmmakers in Mexico: The Country of Which We Dream. Austin: University of Texas Press, 2001. Pp. 167-191
• Robin, Diana Maury, and Ira Jaffe. Redirecting the Gaze: Gender, Theory, and Cinema in the Third World. SUNY series, cultural studies in cinema/video. Albany: State University of New York Press, 1999. Pp. 331-359 E-Books
• Sklar, Robert, and Charles Musser. Resisting Images: Essays on Cinema and History. Critical perspectives on the past. Philadelphia: Temple University Press, 1990. Pp. 308-330
• Stam, Robert. "Introduction to Part VI: Alternative Aesthetics." In Film and Theory: An Anthology. Eds. Toby Miller and Robert Stam. Malden, Mass.: Blackwell, 2007. Pp. 257-264
• Stock, Ann Marie. Framing Latin American Cinema: Contemporary Critical Perspectives. Minneapolis: University of Minnesota Press, 1997. Pp. 246-258 E-Books
• Vasey, Ruth. "Paradigms in Perspective: The Hollywood Industry Paradigm." In The SAGE Handbook of Film Studies. Eds. James Donald and Michael Renov. Los Angeles: SAGE Publications, 2008. Pp. 287-311