Statement of Purpose:
The purpose of this lesson is to
expose students to the art of India by viewing paintings and sculptures which
depict Hindu gods and goddesses. Students will reflect their knowledge
by creating an original piece of art representing one of these gods and using
batik, a process native to India. This project will allow students
to better understand and appreciate the art of another culture.
Key Academic Concepts that this lesson addresses:
- The key tenets of Hinduism include: dharma, karma,
reincarnation, and the great literature of Hinduism.
- The arts and architecture of India reflect the
rich culture and history of the country.
Massachusetts Arts Curriculum Framework standards
this lesson addresses:
- Standard 10: Interdisciplinary Connections.
10.1 Integrate
knowledge of visual arts and apply the arts to learning other disciplines.
10.2 Apply
knowledge of other disciplines in learning in and about the arts.
10.4 Integrate
knowledge from various disciplines and cultural resources.
- Appendix A: Arts in World and United States History
Arts in
World History: Growth of Agricultural and Commercial Civilizations (c.
500 to 1500)
India: Hindu and Buddhist sculpture
Lesson Title: Hindu Gods Batik
Course: Intermediate Art
Grade Level: 10-12
Objectives: As a result of instruction,
students will be able to:
* Identify the major Hindu gods by their distinguishing
features.
* Describe the relationship between the major Hindu gods.
* Analyze the symbols depicted with Hindu gods and determine their
meanings.
* Create a batik of a Hindu god using the tjanting and brushes
with at least four colors.
* Research and summarize the stories about the god or goddess in
their batik.
Materials: stretcher bars
100% cotton white fabric
staple gun and staples
pencils
batik wax
paintbrushes
tjanting needles
double boiler or skillet
dyes
containers for dyes
soda ash
newsprint
irons
Instructional Resources:
*
Web Pictures of gods and goddesses
* The Art and Architecture Ancient India Creative Workbook
page 5, 28, 29
* Educations about Asia Volume 2, Number 2- Religious Ideas
and Arts: Middle School Lessons,
Lesson Two: Buddhist art from China.
* Exploring Global Art: Unit VI- India- student notes on
India, Hinduism and Hindu gods: Brahma,
Shiva, Vishnu and Ganesh.
* Religion on File: Hinduism 2.10 Three Sacred Symbols and
Hinduism 2.12 Hindu Gods: Vishnu
and his attributes & Brahma and his attributes.
* Indian Religions, Hinduism. The Hindu Trinity.
* Arts & Activities, Dec 1995, Batik on a Budget p.
18-19 & Javanese Batik p. 25-28.
* Hands-on Culture of Southeast Asia: Batik p. 41-45.
*
Web site on How to Batik
Vocabulary: batik- process
of creating images by applying wax to fabric in order to
protect areas from dye
tjanting- tool used to create thin lines of
wax on fabric
lotus- holy flower that is pictured with many
of the gods and goddesses
vedas- ancient scriptures
avatars- incarnations
mount- animal on which a god or goddess travels
sadhu- an old man who takes a pilgrimage and
lives in solitude
prasad- offerings that have been blessed by
the gods and goddesses
Motivation:
* Students will work in pairs and each pair will be
given one of the ten posters. The pairs will write
out what they think the stories and meanings are behind
their poster without researching the objects
and animals on the poster.
* Students will share their poster with the class and tell them
what their hypotheses are about the
symbols.
* Students will read the handouts from The Art and Architecture
Ancient India Creative Workbook,
Unit VI- India, Religions on File, and Indian Religions
.
* Students will get back into pairs and interpret a different Hindu
poster. The pairs will write out what
they have learned from the handouts about the god
and/or goddess in the picture.
* Students will share their poster and what they learned with the
class.
* The class will discuss how their hypotheses differed from what
they have learned about the symbols.
* Students will choose a god or goddess for their batik and further
research him or her, summarizing
their research in a one page paper to be displayed
next to the batik.
Procedure:
* Stretch the fabric on the frame with a staple gun.
* Lightly sketch image on the fabric with a pencil.
* Melt the wax and apply it using the tjanting needle and brushes
to all the lines and areas which will
remain white. (Think of the wax application step as
a process of retaining color rather than adding
color.)
* Make sure that the wax has pentrated the fabric by checking the
back. If there is a break in the line, the
dye will bleed into the surrounding areas. Reapply
where the wax did not penetrate.
* Brush the lightest color onto the areas you want that color.
* After the dye is dry, cover the areas you want to stay that color
with wax.
* Apply the next lightest color and when dry, cover that with wax.
* Repeat the last step until you have reached your darkest color.
* Remove the batik from the stretchers and lye flat on the counter
top. Place newsprint over and
under it and iron the paper once. The paper
will soak up the melting wax. Throw the paper away
and apply new paper. Repeat until no more wax
comes onto the paper.
Student Evaluation: To what extent did
students:
* Successfully identify the Hindu gods and goddesses
on a quiz (and their relationships to one
another.)
* Explain in writing the stories and meaning behind some of the
symbols that accompany the major
gods and goddesses.
* Show mastery of the batik materials and techniques by using both
the tjanting and brushes to apply
wax and at least four colors from lightest to darkest.
* Compile and present research in the form of a one page summary
to be displayed beside the
finished batik.
* Reflect on their work through written self-evaluation.
Overall Evaluation:
* Students will fill out an evaluation of the project.
* Finished batiks and papers will be displayed in the hallway.
* Batiks and papers will be used as teaching tools in World Civilizations
classes.
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