ST. BRIDGET OF SWEDEN The Book
of Margery Kempe, chapters 17, 20, 58, -
"St. Bride’s Book"
St. Bridget of Sweden was born in
1303 and died on July 23rd, 1373. Her father, Birger, was the royal
prince of Sweden and her mother, Ingeborg, was a very pious woman.
She received attentive religious training from a young age and liked
to meditate on the Passion of Christ. In 1316, at age thirteen,
she was married to Ulf Gudmarsson, who was eighteen. St. Bridget
and her husband had eight children, the youngest of whom later became
St. Catherine of Sweden.
After her children were born, St.
Bridget and her husband made a vow of chastity (see chaste
marriage). She had discussions with many learned theologians
and was received at the court of King Magnus Eriksson. In 1341,
she and her husband made a pilgrimage to Santiago de Compostela.
Her husband died in 1344 and thereafter St. Bridget devoted herself
entirely to her religion. Her visions became much more frequent.
She believed that Christ appeared to her and she wrote down her
many revelations. She compiled her revelations into a book, which
was later translated into Latin and into verncaular languages.
Well known in England by the 15th century, Bridget's
devotional writings greatly influenced Margery Kempe’s spirituality.
Margery has a vision of the sacrament fluttering in the priest's
hands at the moment elevation and hears Christ say to her that "Bridget
never saw me in this way" ( Chap. 20, lines 1078-1086).
Bridget journeyed to Rome in 1349
and remained there until her death. While living in Rome, she made
several pilgrimages, among them one to the Holy Land in 1373. St.
Bridget was canonized in October 1391 and her feast day is July
23rd. She is the patron saint of Sweden. She is also known as St.
Birgitta, and to the English, as St. Bride. St. Bridget founded
an order of nuns, the Bridgittines. Syon Abbey, a Bridgittine house
founded by Henry V on the outskirts of London was probably the most
distinguished center of female piety in late-medieval England.
SOURCES:
Saint Bride and Her Book: Birgitta
of Sweden’s Revelations, trans. from Middle English by Julia
Bolton Holloway. Newburyport MA, 1992
Marguerite Tjader Harris and Albert
Ryle Kezel, Birgitta of Sweden, Life and Selected Revelations.
Paulist Press: Mahwah, NJ., 1990.
The Lives of Saint Birgitta of Sweden
in the Vernacular, eds. Bridget Morris and Veronica O'Mara,
Brepols Publishers.
Rosalynn Voaden, God’s Words, Women’s
Voices: The Discernment of Spirits in the Writings of Late-Medieval
Women Visionaries. Rochester, NY: York Medieval Press, 1999.
M. L. de Kreek, Brigitta van Zweden
1330-1373. 600 Jaar Kunst en Cultuur van haar Klooster-Orde,
exh. cat. Museum voor Religieuze Kunst: Uden, 1986.
Catholic
Encyclopedia Online.
BRIDGET'S VISION OF THE CRUCIFIXION
The Vision Lady Birgitta saw in Jerusalem
in the Church of the Holy Sepulchre, in the chapel of Mount Calvary,
on the Friday after the octave of the Ascension of the Lord, when,
caught up in spirit, she saw the whole passion of the Lord in painstaking
detail.
. . . .He ascended gladly like a meek
lamb led to the slaughter (and) extended his arms and opened his
right hand and placed it on the cross. Those savage torturers monstrously
crucified it, piercing it with a nail through that part where the
bone was more solid. And then with a rope, they pulled violently
on his left hand and fastened it to the cross in the same manner.
Finally they extended his body on the cross beyond all measure;
and placing one of his shins on top of the other the fastened to
the cross his feet, thus joined, with two nails… Then the crown
of thorns, which they had removed from his head when he was being
crucified they now put back, fitting it onto his most holy head.
It pierced his awesome head with such force that then and there
his eyes were filled with flowing blood ad his ears were obstructed.
. . .
And as I, filled with sorrow, gazed
at their cruelty, I then saw his most mournful Mother lying on the
earth, as if trembling and half dead. She was being consoled by
John and by those others, her sisters, who were then standing not
far from the cross on the right side. Then the new sorrow of the
compassion of that most holy Mother so transfixed me that I felt,
as it were, that a sharp sword of unbearable bitterness was piecing
my heart.
Marguerite Tjader Harris and Albert
Ryle Kezel, Birgitta of Sweden, Life and Selected Revelations.
Paulist Press: Mahwah, NJ., 1990: 188-89.
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BRIDGET'S VISION OF THE NATIVITY
St. Bridgit's writings had a profound
and lasting impact on 15th century Renaissance painting in the depiction
of the Nativity. Gentile da Fabriano's Adoration of the Magi,
1423 (Uffizi, Florence) Giovanni di Paolo's Nativity, 1470s
(Vatican Museums, Rome), and Hugo van der Goes's Portinari Altarpiece,
1475 (Uffizi, Florence), among many others, all follow Bridget's account
of the Nativity. She described seeing Mary give birth as if
light passed through her body. Joseph has brought Mary a candle
since the birth was at night. With the birth, however, the Infant
was bathed in a divine light that overwhelmed the material light of
the candle. Bridget wrote:
Her (Mary's) back was turned
against the manger. Verily though all of a sudden, I saw the
glorious Infant lying on the ground naked and shining . . . Then
I heard also the singing of the angels, which was of miraculous
sweetness and great beauty . . . When therefore the Virgin felt
that she had already born her Child, she immediately worshipped
him, her head bent down and her hands clasped, with great honor
and reverence and said to him: Be welcome my God, my Lord, and my
Son.
Henk van Os, Sienese Altarpieces
1215-1460, vol. 2, Form, Content, Function 1444-1460, Groningen,
1990: 119-21, figs. 118, 128a
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