INTRODUCTION
Margery Kempe possessed only limited
literacy, and required a scribe to whom she dictated her Book.
It is evident, however, that she had a rich oral familiarity with
the articles of the faith, the lives of the saints, and popular
devotional texts. Throughout the Book she mentions by name
books that were read to her and specific saints and spiritual leaders
after whom she modeled her own life. The life stories and
books were widely disseminated during the Middle Ages and she speaks
of hearing books read to her. In chapters 17, 58, and 62 she speaks
with a familiarity with such works as Incendium Amoris, Stimulus
Amoris, and The Scale of Perfection. She uses the expression
"any other book that she ever heard read" (chapter 17) when referring
to mystical writings, indicating that these texts were read to her
by her confessor.
Mysticism implies attaining a union
with God beyond that reached through individual prayer, good works
or attending worship services. It involves rising above the material
world through acts of contemplation that purge the soul of sin.
Margery Kempe testifies that her spirituality was often confused
with hysteria or sham religion because her expression was so personal.
Her behavior, especially her deep devotion to the "manhood of Christ",
can be associated to the prevalent medieval concept of the mystical
marriage. Most at issue, it seems, is that she was highly
vocal regarding her mystical experiences. However, the basic idea
of an intense devotion to the Passion of Christ and empathy for
his suffering was quite common. Kempe’s spirituality would have
been heavily influenced by other mystical figures of medieval Europe,
such as Julian
of Norwich (1342-{1416-1423}), Richard
Rolle (1300-1349), Walter
Hilton (d. 1396), Bridget
of Sweden (1303-1373), St.
Bonaventure (1221-1274), St. Elizabeth of Hungary (1207-1231),
and Mary
of Oignies (d.1213).
Kempe’s acts of devotion include meditation,
weeping, fasting, wearing white clothing, and abstaining from sex
and meat. Highly vivid and emotional visions of Passion Christ's
and images of sexual or marital union also typify her mysticism
with God. During these experiences, Kempe seems to actually feel
the pain of Christ. These actions and emotions parallel those felt
and performed by other mystical figures. A strong correlation exists
between the life of Margery Kempe and that of Mary of Oignies, for
example. Both had very similar religious and personal experiences.
Living as a hermit and extreme asceticism are other signifiers of
mysticism not espoused by Margery.
See also Hildegard
of Bingen (1098-1179)
Margaret
of Oingt (ca. 1240-1310)
Nicholas
Love, and The Mirror of the Blessed Life of Jesus
Christ
Thomas à Kempis (1380-1471),
The Imitation of Christ, 1425
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