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Socrates and the Homeric Gods
by
Nalin Ranasinghe
"One Being, the only truly wise, does not
and does agree to be called Zeus." - Heraclitus
This
reading of the Euthyphro will grapple with the accusations
of impiety leveled against Socrates. It will set out to answer certain
basic questions about Socratic piety that arise, and are not satisfied,
by repeated readings of the Apology, Crito, and Phaedo.
We know that Socrates was accused of introducing new gods and of
corrupting the youth. Indeed, the opening words of the Euthyphro,
"This is unprecedented, Socrates" (2a), alerts us that something
novel is being introduced here. But what was Socrates’ true position
concerning the gods? How did he regard the Homeric deities? I will
try to dig up some of the literary and mythological themes hidden
beneath the seemingly inconclusive surface of the Euthyphro.
As with most dialogues, these references reveal the soul of Socrates’
interlocutor and shed valuable light on the discussion. This device
enables the reader to share in the subtle process of self-understanding
that has, hopefully, been set in motion.
The
questions arising from the Euthyphro also serve to shed much
light on the dialogues and events that follow it. Socrates was accused
of impiety; he was thus summoned before the King Archon for a preliminary
investigation into the prima facie merits of the complaint.
Instead, we see Socrates carry out his own investigation into what
is meant by the holy. Unfortunately, the very asking of this question
itself is considered impious by some. This is the first of the many
tautological perplexities and dizzying circular arguments that pervade
this dialogue.
The
context of the Euthyphro suggests strong parallels between
Meletus and Euthyphro. What would have ensued had Socrates encountered
Meletus rather than Euthyphro before the preliminary inquiry took
place? If Socrates had questioned Meletus in private, the results
of their conversation would probably have greatly resembled the
Euthyphro; instead of the tragic Apology, we would
have another comic dialogue - the "Meletus." The implicit
substitution of Euthyphro for Meletus suggests that the latter is
prosecuting Socrates for reasons resembling those that Euthyphro
has for prosecuting his father. As Crito pointed out in the Crito,
Meletus’ indictment of Socrates could easily have been quashed.
This is why Crito was sharply critical of "the way the lawsuit was
introduced into the law-court even though it was possible for it
not to be introduced" (45e). It seems that Meletus could have
been persuaded by Socrates’ friends to drop his suit, if Socrates
had let them. Indeed Xenophon pointedly tells us how Socrates gave
Crito very effective advice about dealing with malicious prosecutions
(Mem II.9). Had Socrates been at the King-Archon’s hearing
- instead of correcting Euthyphro - the trial needn’t have taken
place!
Socrates
probably saw this chance encounter with Euthyphro as a daimonic
sign that the case should go to trial. Xenophon’s Socrates says
that he was twice opposed by a divine sign when preparing to make
his defense (Apology 5). The Euthyphro seems to recreate
one of these interruptions. Leo Strauss points out that "Socrates
didn’t seek out this conversation…the conversation was forced on
him." Euthyphro’s lawsuit was truly impious. This required
that he be relieved of his dangerous pseudo-knowledge of divine
things. Socrates chose to prevent Euthyphro from prosecuting his
father, instead of invoking procedural formalities against Meletus’
bogus lawsuit. In other words, Socrates prefers saving Euthyphro’s
soul to preserving his own aging body from death. Yet, it could
also be argued that Socrates has, yet again, preferred the welfare
of a friend and risked the friendship itself. This preference for
the ideal - over practical benefits - is the truest reason for the
charge of impiety. Though Socrates has helped Euthyphro, the latter
is no longer his friend. Many former friends would surely be among
his jurors.
In
the Apology we find Meletus confused by Socrates’ simple
questions. After accusing him of bringing strange gods into the
city, Meletus then claims that Socrates is an atheist (26e). Meletus’
conduct in the Apology and Crito’s complaint provide strong
evidence that Meletus was not so fervent about Socrates’ impiety
as might have been supposed. It seems that his real desire was to
make a public name for himself by a cheap triumph over an old and
well-known pest.
Meletus
may well have been instigated by other figures quite content to
remain in the background. In attacking Socrates in an arena where
his customary professions of ignorance would be of little avail,
Meletus would surely earn the gratitude of those worthies who had
been shown up by Socrates’ irony over the years. Meletus hoped to
expose Socrates’ cowardice and reveal that the philosopher, too,
had his price. Fear of death would lead Socrates to behave like
any other man. Meletus had every confidence that his victim would
blink first and earn him the gratitude of Socrates’ many enemies.
However, to his consternation, Socrates did not give way.
Euthyphro,
the parallel suggests, is acting in a very similar spirit. He is
tired of being ridiculed by his family and the Athenians for his
prophetic excesses. "Whenever I speak in the assembly concerning
the divine things…they laugh at me as if I were mad" (3c).
When his manservant murdered a family slave on Naxos, it did not
occur to his father to seek the advice of Euthyphro, the family
theologian. Instead he dispatched a man all the way to Athens to
ascertain from the exegete what should be done to the murderer.
In the intervening time, Euthyphro’s man died of neglect and exposure.
Euthyphro had to suffer the double humiliation of being both disregarded
by his father, in his self-professed area of competence, and losing
his client. He decides to demonstrate to his kinsmen the true power
possessed by one familiar with divine affairs. Through his dramatic
accusation of homicide and impiety, Euthyphro intends to compel
both his sire and the Athenians to accord him the respect he had
hitherto been denied. Euthyphro is probably almost as young as Meletus
since Socrates makes ironic reference to his wisdom being almost
as great as his youth (12a).
Euthyphro’s
lawsuit is made stranger yet by the realization that he is prosecuting
his father for events that must have taken place at least five years
earlier; Athens lost possession of the island of Naxos in 404, at
the conclusion of the Peloponnesian War. Socrates was tried in 399.
Bearing in mind the absence of temporal and spatial contiguity with
the polluting event, it is hard to escape the inference that something
else led Euthyphro to open up this can of worms. This event parallels
the older accusations against Socrates, having to do with his connection
with members of the Thirty, the Oligarchs who were installed by
the victorious Spartans as rulers, several years ago. Like Meletus,
Euthyphro is resurrecting old grudges to support his ambitions and
prospects. He is impiously digging up matters from the past for
his selfish advantage.
The
context of the Euthyphro also suggests that Meletus is closing
the stable door long after the horse has bolted. Just as Meletus’
client has been deceased for several years, genuine piety seems
to have been long dead in Athens. Socrates pointed out in the Apology
that it is absurd to believe in divine things while not believing
in gods (27b-e); yet this is precisely how religion seems to function
in postwar Athens. Mindless ritual has displaced genuine piety in
a situation where it is feared that serious speculation concerning
divine matters would be politically injurious. This is also why
Socrates is prosecuted rather than Euthyphro; while Socrates critiques
the blasphemous hypocrisies of the old religion, Euthyphro harmlessly
chronicled its most trivial details. The plucked office of the King
Archon, embodying the divine responsibilities of a king in a private
citizen selected by lottery, further illustrates the sad and degenerate
condition of religion in post-war Athens. Socrates piously takes
on the role of King Archon and considers the merits of Euthyphro’s
suit, while neglecting his own interests.
Euthyphro
deflects any objections concerning the propriety of a son prosecuting
a father for the polluting murder of non-relative by appealing to
divine precedent. His decisive proof is the conduct of the Gods
themselves. "While human beings agree that Zeus is the best and
most just of the gods, at the same time they agree that he bound
his own father because he gulped down his sons without their consent,
and that the latter in turn castrated his own father because of
other such things" (5e-6a). Of course Euthyphro is conveniently
ignoring the fact that both Zeus and Kronos could have claimed to
act in self-defense; Euthyphro’s case hardly falls under this category.
Euthyphro’s real divine precedents are, however, political rather
than ethical; both Kronos and Zeus supplanted fathers who buried
or swallowed their children out of the fear of being overthrown
by them. Euthyphro’s true fear or grievance has to do with not having
been accorded his proper ‘place in the sun’ by his father; in other
words he is afraid of being over-shadowed by his sire. In this sense,
it is Euthyphro himself, not his hired man, who has been swallowed
up by his father (or buried in the ground) and denied nutriment
on the grounds that he is a potential patricide. It is in this Oedipal
spirit that each new generation represents a threat to the one that
preceded it. In order for the young to realize their own individuality,
it is inevitable that they should trespass on the jealously guarded
prerogatives of their fathers. Both sides use religion as a weapon
in this struggle to disguise their real motives: the fathers claim
to be defending time-honored custom against the rude innovations
of their sons, while the sons claim to defend true religion from
the corrupt practices of their fathers. In a situation where past
and future are at cross-purposes, the religious tradition inevitably
breaks down.
This
is why Euthyphro used the flimsy pretext of an unlikely pollution,
involving the long-forgotten slaying of a family member (the slave)
by a non-relative on land no longer possessed by the family. His
real purpose was to supplant his father. It is striking that Euthyphro
did not mention the actual answer of the exegete of whom his father
sought advice; it is unlikely that clemency would have been advised.
Neither would the providential death of a murderer have been regarded
with too much horror by a jury.
Euthyphro’s
resemblance to Meletus is also visible in Socrates’ description
of his accuser "going before the city, as if before his mother,
to accuse me" (2c). Both Zeus and Kronos, Euthyphro’s divine
role models, went before Gaia, the Earth, to gain her support. Gaia
supports the efforts of the new crops to displace the old withered
plants and gain their place in the sun. Once more the Oedipal motif
is plain; the fathers would correctly suspect their sons of harboring
the very incestuous desires they had in their youth. In Machiavellian
terms, Fortuna is not just a woman, she is a mother who turns
to her sons for virile qualities lacking in their sires. Although
Euthyphro does not appear to have a mother, he has the good fortune
of running into Socrates, who has just described himself to Theaetetus
as a midwife (149a). The Euthyphro reveals the subtle and
amusing way by which Socrates causes our emulator of Zeus to abort
his misguided schemes. The ideas that Socrates midwifes out of Euthyphro
will turn on their progenitor.
The
dialogues of Plato are notorious for revealing the natures of the
interlocutors rather than that of Socrates himself. We are reminded
of this by Euthyphro’s boastful claim that were he to confront Meletus
"I would discover where he is rotten and our speech…would turn out
to be much more about him than about me" (5b-c). Accordingly,
we should ask ourselves who this Euthyphro is after whom the dialogue
is named. A surface reading of the dialogue suggests that Euthyphro
could best be regarded as an eccentric collector of Olympian Trivia.
Euthyphro seems to have made it his business to memorize every ‘astonishing
story’ about the gods (6b-d). As his name "straight thinker"
suggests, his understanding of these stories is quite literal and
unreflective. Blissfully untroubled by hermeneutic considerations,
he regards the old myths as exact factual accounts of the history
of Olympus. It is in this context that Socrates’ emetic therapy
will prove to be particularly effectual. Before self-knowledge can
come, Euthyphro must be forced like Kronos to disgorge the divine
trivia that he has unreflectively swallowed. It is out of this unformed
hyle that we may discover the origins of a Socratic theology.
All
of this lies in the future, however. As yet, we only have before
us Euthyphro’s absurd claims that he has precise knowledge about
how divine things are disposed (5e) and even more wondrous and astounding
things that he wishes to impart to Socrates (6b-c). Socrates’ initial
response to Euthyphro’s grandiose pretensions is characteristically
muted. By becoming Euthyphro’s pupil, Socrates suggests, he could
compel Meletus to prosecute his master rather than himself (5a).
For himself, Socrates is advocating education rather than punishment;
he hints that studying under Euthyphro would be a worse punishment
than the death penalty demanded by Meletus.
Socrates’
inquiry concerning the various scandalous stories told by Homer
and Hesiod concerning the gods, "Shall we assert that these things
are true, Euthyphro?" (6c), implies that by becoming Euthyphro’s
student, he would also enter into the client relationship with his
master that the gods seemingly have with mortals. This relationship,
is one of literal loyalty and blind belief. Socrates calls its mimetic
irrationality into question when he asks his ‘master’ to identify
the essential form of holiness that makes all holy actions holy.
Euthyphro’s prompt response reveals that he has not given the matter
any thought: "What is dear to the gods is pious and what is not
dear is impious" (7a). In other words, the arbitrary will of
the gods makes things holy.
Socrates
points out one of the more obvious difficulties with this position
when he asks Euthyphro about its application in a polytheistic context.
The very same act could be loved by some of the gods and hated by
others. Where does this leave piety? Further, by insisting on the
arbitrary caprice of a god, the very real possibility also remains
that even the same god could like one action at one time and find
it quite distasteful at another. In the absence of any direct "hot-line"
between Heaven and Earth we seem to be left in a quite untenable
position. Socrates is subtly pushing Euthyphro towards openly admitting
that his anthropomorphic gods, at any time or place, will be pleased
by the human desire to curry favor with them; in other words, by
flattery.
Yet,
before this admission is made, and its implications are made fully
manifest, another important issue having to do with polytheism is
addressed by Socrates. Disagreements amongst the gods, according
to him, could only have to do with matters that cannot be resolved
by objective, quantitative standards. To use an example, if Hera,
Athena, and Aphrodite were all agreed that one of them was the most
beautiful, they would not have wrangled over the Golden Apple of
Eris. In a sense, the transcendental word "beauty" was the
golden apple! In the absence of definitive knowledge of these matters,
subjective preferences hold sway. This notion is also consistent
with the famous Socratic dictum that human evil is caused
by ignorance. Without knowledge of what is transcendent, the only
appropriate inscription on Eris’s Apple is "To the Strongest."
If there is no truth, brute strength ultimately resolves qualitative
disputes between the gods and men by reducing them to quantifiable
matters of power. None will question Hera’s right to possess the
apple if she is stronger than the other goddesses; this is why Aphrodite
surrendered her girdle to Hera with good grace in the Iliad
(xiv, 231-256). Ultimately, Zeus’ will prevails through the other
gods’ recognition of force majeure. Once enthroned, power
may only be addressed by flattery. Zeus is called just, just because
he is the principle of order. Since any order is preferred to chaos,
Zeus’ might is the only right.
Euthyphro
accepts Socrates’ suggestion that it is over matters of quality
(good and evil, right and wrong, noble and base) that even the gods
wrangle. The real question has to do with the existence of transcendent
standards that the gods themselves must acknowledge and pay homage
to in their very wrangling. The very quarrel in Olympus over matters
of quality suggests that there are some matters that even the gods
find to be worthy of mighty disputation and battle. Even if the
gods disagree over what is good or noble or beautiful, they are
all agreed that these qualities are superior to the bad or ignoble
or ugly. The bitterness of the battle and the continuing prevalence
of the polytheistic system – which was not been rendered redundant
by Zeus’ power - derives from the goddesses’ recognition that something
is more beautiful, truer, and better than raw power. Zeus uneasily
senses that he rules in the interim. Gaia, like Goethe’s eternal
feminine, will continually generate better approximations towards
this blindly sensed idea.
Although
Socrates is trying to direct Euthyphro’s attention to transcendent
qualities that are higher than the Olympian gods themselves, his
"master" remains fixated at the literal level. Although Euthyphro’s
science of piety seems to consist in the belief that the gods are
best pleased by human efforts to honor them through imitative acts,
he would not simply spew forth his store of Olympian trivia as a
mere rhapsode. He both claims to know everything about the gods
and rejects any critical evaluation of their deeds as impious. Piety,
according to Euthyphro, is unilateral: it does not oblige the gods
in any way. It is mankind’s failure to respect the gods’ prerogatives
that provokes the jealous wrath of heaven. In this respect, Euthyphro
is very much of the same mind as Meletus and other religious men
of the time. However, Euthyphro goes beyond Meletus in his "straight
thinking" desire to go beyond the mediating tradition and link
up directly with the gods themselves. The religious traditions of
a community unquestioningly worship the gods but only ritually emulate
certain of their deeds; these traditions mediate between the divine
and human things and preserve the ontological distinction between
gods and men. Euthyphro’s desire that things be done on earth as
they are in heaven overturns this distinction and threatens to incite
the jealousy of the very gods he is so anxious to flatter. In other
words, while Meletus represents tradition without reflection, premeditated
thoughtlessness before the holy tradition, Euthyphro’s unmediated
imitation of Olympian conduct is hubris. As Strauss observes, piety
consists in imitating ancestral worship of the gods, not in imitating
the conduct of the gods.
Socrates,
Euthyphro and Meletus are all obviously in a situation where the
continuity and vitality of the religious tradition, connecting their
time to that of the Olympian gods, has broken down. This could be
attributed to the Sophistical Enlightenment and the catastrophic
conclusion of the Peloponnesian War. We shall shortly suggest that
Socrates’ solution to this impasse is to realize the potentiality
latent in Homeric religion. Both Euthyphro and Meletus would disagree
sharply with this approach. While Meletus merely wants to return
to the traditional unquestioning ways, Euthyphro proposes to radically
uncover, possess, and revive the very origins of piety. He would
do so through literal re-invocation and recreation of the Olympians,
thus restoring their presence and favor. In his opportunistic fundamentalism,
he refuses to acknowledge that the myths of Homer and Hesiod are
anything but the literal truth; this belief, become infallible knowledge,
makes him the gods’ prophet and champion. Euthyphro wants to re-create
meaning in a god-impoverished world. He is unwilling to acknowledge
the far weaker pragmatic position that telling stories about the
gods revives faith in them, whatever the truth-value of these stories
is.
The
theme of the Apology is anticipated here; we see that Socrates
is the wisest of men because he realizes that knowledge of the sort
that is desired by Euthyphro is neither possible nor desirable.
Paradoxically, Euthyphro’s tautological position that whatever is
dear-to-the-gods (theophiles) is pious has already committed
him to a crude monotheistic perspective. By accepting that the holy
is whatever all the gods love, he has conceded that Zeus, the strongest
of the gods, could impose his "love" on the weaker deities
in much the same spirit in which he would impregnate a lowly female
or animal. If there is no higher standard than the arbitrary preference
of the gods, given that one god is stronger than the others it follows
that there is only one true god. All that remains is the question
of how the agreement of the gods is to be negotiated. While Euthyphro
is necessarily committed to the violent sovereignty of Zeus, Socrates
invokes the possibility of a more objective standard, one that even
Zeus must obey.
Socrates
puts the question to Euthyphro: is the pious whatever is dear to
the gods (or god), or is something dear to the gods because it is
holy? (10a). In other words, is there some transcendent necessity
or authority which even the gods must acknowledge and try to serve
through their various powers? Is it not this quality, rather than
the raw power of Zeus, which ultimately unifies the gods themselves?
As we observed, if power is all that is necessary, all of the other
Olympians cease to be divine once the force majeure of Zeus
is asserted. If, however, power is not the only principle of sovereignty,
if might is not ipso facto right, then Zeus is merely an
uneasy tyrant. Zeus exploits the power of the other transcendent
principles by playing them off against each other until someone
better arrives to harmonize them. Thomas West notes that "the substantial
point between Socrates’ dry logic chopping seems to be that gods’
love or will must be directed by that which is really good, noble
and just or else the meaning of human life must be dependent on
the arbitrary will of mysterious beings who may not even be friendly
to men and – given the multitude of willful authorities…the life
of men and gods alike must be a tale of ignorant armies clashing
by night."
Once
Euthyphro has the full meaning of this question explained to him
by Socrates, the self-proclaimed prophet of Zeus is plunged into
a vortex. Although he claimed to be pious, Euthyphro was only using
religion to serve his profane ends. Suddenly, Socrates has brought
religion to life and asserted the authority of the truly divine
- the ideal - over the real. Euthyphro is no longer able to deploy
his fragments of lifeless trivia to suit his will, as a fundamentalist
blithely quotes scripture out of context. Like the statues of Daedalus,
the long-frozen images of the gods spring to life. Euthyphro sees
that Socrates, his erstwhile student, has wrought this revolution.
For the first time he senses the true power of the ideas. Yet, Socrates
continues to torture him; combining the roles of Daedalus and Phaenarete,
stonemason and midwife, he takes "an eager part" in showing
Euthyphro how to teach him about the pious (11e).
Socrates’
next question is deceptively simple. Euthyphro is asked whether
it is not necessary to him that all the pious is just (11e).
When Euthyphro agrees, he is then asked if all of the just is pious
(12a). In other words, are the two qualities identical, or is one
merely a part of the other? Socrates, with seeming irrelevance,
trots out an obscure quotation "where fear is, there too is reverence"
(12b), only to disagree with it and argue that fear is a broader
category than reverence or awe. When Euthyphro says "that part of
the just concerning the tending of the gods is reverence, while
that concerning humans is what remains" (12e), Socrates raises
several analogies of animal-tending and asks him how humans tend
to the gods to their (the gods) benefit.
Euthyphro
emphatically denies that humans improve the gods through piety as
animal-tenders improve their flocks. He claims that piety is more
like the service servants perform for their masters (13d). Nevertheless,
Socrates points out that even this must produce some tangible benefit,
and Euthyphro cannot identify it. When Euthyphro repeats his claim
that prayer and sacrifice are the pious things that preserve families
and cities (14b), Socrates leads him to admit that prayer and sacrifice
are a skill of giving gifts to the gods and making requests of them.
Piety, then, in Euthyphro’s own words is "a sort of commerce between
gods and human beings" (14e).
Euthyphro
must admit that the gods do not receive any tangible benefit from
this trade, only honor, respect and gratitude. He must concede that
piety is simply the art of pleasing the gods. This brings him around
in another circle since he cannot explain why the gods are necessarily
pleased by the piety that he, Euthyphro, found so certain and important
that he was even willing to accuse his father of murder. One way
out is to claim that it is through conspicuous and absurd acts of
flattery that men please the gods, but in so doing he would lose
the reputation for wisdom that he craves. If, more reasonably, he
says that it is virtue that the gods want, he would be hard pressed
to explain how his father’s involuntary negligence could constitute
vice in merely human or civic terms. If, in the last resort, Euthyphro
were to claim to be inspired, he would need to provide proof of
his power. Yet, we have seen his impotence before Socrates. It is
Socrates who satisfies his daimon’s demand that he rid all
men of their self-professed wisdom.
Euthyphro’s
defeat is confirmed when he declines to continue educating Socrates.
He claims to have other pressing matters to attend to; we may prophesize
that he will not return to press charges against his father. We
must stay by Socrates and seek clarification of some of the oracular
words and images that his daimon inspired. In trying to explicate
the cryptic images found in a dialogue, we surely participate in
tending and cultivating its long-neglected surface.
Abandoned
like Ariadne on Naxos, let us begin this "second sailing" by
reexamining the main theme of the Euthyphro and hope that
some god will come to our assistance. Is what is holy discovered
or created (willed) by the gods? Our previous study of this question
has revealed strong reasons for believing that Socrates adheres
to the first position. If the holy is discovered by the gods, and
ultimately served by them, it is much easier to hold that they are
not jealous of human strivings. Indeed, it would seem that the very
purpose of divine revelation is to encourage virtuous human emulation.
In other words, the gods are most pleased by human virtue since
their very purpose is to mediate, in a tangible manner, between
the human world and the domain of the holy. The ‘gods’ turn out
to be much like the daimons described by Diotima in the Symposium;
their task is to mediate between the human realm and transcendent
divinity (202d-203a).
If
ultimate reality is represented in a fragmented manner by the gods,
each one of them must represent a different virtue. The chaos on
Olympus represents the poetic belief that these various virtues
are incompatible with each other. As we observed earlier, the justice
of Zeus is nothing more than order, his Hobbesian sovereignty derives
from the recognition that any order is preferable to chaos. The
Iliad illustrates the extent to which the various Olympians
exemplify disorder and vice in their antagonism to each other. Hera,
the mother of heaven, is the most ardent in her desire to sack and
ravage sacred Ilium. Athena, the goddess of wisdom, is no better
than Odysseus himself in her Machiavellian scheming for victory
through any means. Aphrodite, the goddess of love, is similarly
turned inside out and reduced to mindless lust. Ares, who should
remind us of courage, is reduced to insatiable bloodlust. Apollo,
the serene force of music and healing, becomes a partisan sniper
spreading plague and discord. Zeus, himself, could be accused of
planning the Trojan War from start to finish to rid the earth of
the heroes. In isolation from each other, the Olympian gods are
inverted cripples or splendid pagan vices. For the idea of the Good
to be re-collected, these qualities must be reconciled to each other.
Like
the kings and tyrants, in whose image he is rendered, Zeus rules
through violence. Only he could impose order over those fractious
Olympian deities. Yet it is this very discord that requires such
a ruler. Zeus is both the origin and the remedy for this disorderly
state of affairs. Zeus rules through manipulating and maintaining
discord. The Euthyphro suggests that Zeus is a primitive
image that must be refined and improved if the consequences of blasphemy
are to be averted. Through emphasizing the unity of the virtues,
Socrates pushes the possibility of a mature alternative to Zeus
and polytheism. Virtue would replace the selfish antagonistic virtuosity
of a Zeus. While Kronos simply swallowed his divine offspring, Zeus’
insecurity keeps these various potentialities for virtue in wrangling
variance. A better ruler could overcome these oppositions.
Socrates
proposes to actualize a truer idea of justice out of the fragments
of myth. This program is contained, albeit in inchoate form, in
his asking Euthyphro how piety and justice were related to each
other. According to Euthyphro, piety was that part of justice dedicated
to the tending of the gods. It is readily apparent that Euthyphro
does not care a whit for human justice, the lesser division of the
two. His piety entirely supersedes any concerns with human equity;
Isaac has no rights before Abraham’s desire to retain the favor
of his personal protector-god (Genesis 22). When Socrates asked
Euthyphro whether piety was part of justice or vice versa, Euthyphro’s
reply that piety was a part of justice led to the unsatisfactory
consequences we have just examined. The path not examined is the
possibility that justice could be a part of piety. This possibility,
on the face of it, suggests that we act justly only for the sake
of gaining favor with the gods. Since this is clearly not intended
by Socrates, perhaps we should probe even deeper.
Let
us return to the passage from Stasinus quoted by Socrates, "Zeus
the lover, him who made all things, you will not name. For where
fear is, there is also reverence" (12a-b). While it is curious
to read this Greek equivalent of the Third Commandment - do not
use the name of God in vain - advice which Euthyphro would do well
to heed, we must also pay careful heed to the implication, teased
out by Socrates, that all fear is reverential. Socrates opposes
this idea, pointing out that there are many other forms of fear
which have nothing to do with awe or reverence (12b). Indeed, the
fullest implication of his interpretation is that fear, although
serving as the origin of the feeling of awe, could just as easily
stifle its child, genuine awe, and lead to impiety and vice. Instead,
just as blind lust was educated to become the awesome vision of
cosmic love in the Symposium, the sublime experience of awe
must outgrow its fearful antecedents and lead us to virtue; Zeus,
the promiscuous lover, undergoes a similar transformation at Socrates’
hands.
This
is why Socrates said in the Republic that scandalous stories
about Zeus (the lover) must be suppressed for fear of blasphemy.
"The young cannot distinguish between literal and allegorical accounts"
(378d). Indeed, this is also why Socrates said in the Apology
that it was all but impossible to gainsay the conventional opinion,
which many jurors heard as children, that he was an atheist (18b-d).
Since they clung to the literal sense of stories they learned as
children, he could not converse with the many about divine matters.
In the Euthyphro, Socrates says that he is prosecuted for
his refusal to accept such stories about the wrangling gods (6b).
Swearing by the god of friendship, Socrates wonders aloud why he
is prosecuted when Euthyphro is not (6a-b).
What
is most awe-inspiring is not the fearful, selfishly wielded, power
of Zeus, but the capacity of ideals like friendship and justice
to lead us to behave in ways that go against our selfish interests.
Stated differently, instead of worshipping, imitating, or ridiculing
the antediluvian nakedness of the father, he should be described
in more appropriate attributes. It is in this manner that the relation
of part to whole and ground to origin could be formulated; an approach
which is singularly appropriate since the subject matter of the
dialogue deals with tension between fathers and sons. We could see
piety as the unformed potentiality out of which the idea of justice
emerges, like Athena from the troubled head of Zeus. The relation
between fathers and sons can be viewed in terms of potentiality
and actuality, not as an Oedipal conflict between jealous rivals
charging each other with hubris. It is only in such a manner that
a tradition may be revitalized. The past and future cannot be set
at cross-purposes; the fulfillment of the past must be the task
of the future. Piety, originally merely a superstitious fear of
powerful and hostile divine forces, becomes progressively refined
(and turned around) into an awareness that the gods require unselfish
enlightened conduct of man. Then, finally, it becomes the awe-filled
vision of virtue affirmed for its own sake that the Symposium
describes (212a).
The
Euthyphro thus represents a theological counterpart to the
civil doctrines of Gorgias: the recognition that when the
gods seem to punish, it is for the sake of rehabilitation rather
than retribution. Humans please the gods best by acting virtuously.
Less evidently but equally importantly, we must see that human beings
are significantly improved when their conception of the divine is
also improved. Instead of the "many mad masters" and the fear-governed
notions of piety represented by the Olympian gods, Socrates pushes
the discussion in the monotheistic direction of a unified conception
of virtue. The seemingly absurd question of how human beings could
render service to the gods acquires new dignity and meaning. Instead
of flattering the gods, in a way that runs the grave risk of blasphemy
by imputing all manner of vice and cruelty to them, Socrates suggests
to Euthyphro that we serve the gods best by practicing virtue. This
is illustrated by both speech and deed in the dialogue; Socrates
prefers performing the virtuous act of educating Euthyphro to publicly
defending his personal reputation for piety. Tantalus, referred
to earlier as one whose riches would be renounced by Socrates for
accurate knowledge about the gods (11e), is a prime example of such
blasphemous flattery. To gain divine favor, Tantalus chopped up
his children and served them up to the gods. While this infanticide
had poetic precedent, it gained Tantalus a place in Tartarus. The
poets, similarly, chopped up the Idea of the Good into god-sized
fragments that could be displayed in the Cave for power and profit.
Unlike
Tantalus, Socrates sets out to serve the gods by suggesting that
mankind should refine poetry until it expresses the best of all
possible ideas. The monotheistic line of speculation indicated in
the Euthyphro leads towards Anselm’s celebrated argument
that God is the sum of all perfection. However, a Platonic distinction
between the ideal and the real may be the best way of avoiding the
pitfalls that the ontological argument otherwise leads to. Instead
of opposing an abstract idea of frozen divine perfection to flawed
humanity, in a relationship of ressentiment, alienation,
and unhappy consciousness, the Euthyphro suggests that the
divine is an ideal which humanity must refine and tend through its
own moral progress and self-knowledge. I do not agree with Strauss’
claim that the ideas replace the gods. Instead of rudely uprooting
ancestral piety from the chthonic realm of unthinking custom and
blind loyalty, Socrates sets out, in the spirit of the Eumenides,
to enlighten and liberate these ancient forces. Socratic piety,
as we have seen, is not corrosive or proud. It is rooted in awe,
filled with temperance, and crowned with wonder.
Socrates’
ancestors, who were stone-masons and sculptors, paid homage to gods
through graven images; with even greater piety, their descendent
liberates the sublime potential slumbering inside the statues. Like
prisoners long hidden in a deep dungeon, the various divine attributes
are freed from their bondage to blind custom. They are reconciled
and unified in a sunlit vision of the Good. Overcoming both the
divisive totems of fundamentalism and the moral chaos of positivism,
the Euthyphro points towards the possibility of a universal
religion - one based on the idea of Goodness.
"They vainly
purify themselves of pollution by bathing in blood…they pray to
statues - as if talking to houses - not knowing the truth of gods
and daimons." - Heraclitus
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